Camino IslandBook - 2017
GRISHAM JOH CAMINO I
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“I did manage to ditch my prologue, add quotation marks to my dialogue, take out the big words, and I would have cut some more but there’s not enough to cut.”
I learned with my first novel that writing books is far easier than selling them.
Writers are generally split into two camps: those who carefully outline their stories and know the ending before they begin, and those who refuse to do so upon the theory that once a character is created he or she will do something interesting.
Deep in the Left Bank of Paris, in the heart of the 6th arrondissement on Rue St.-Sulpice, Monsieur Gaston Chappelle ran a tidy little bookshop that had changed little in twenty-eight years. Such stores are scattered throughout the center of the city, each with a different specialty. Monsieur Chappelle’s was rare French, Spanish, and American novels of the nineteenth and twentieth centuries. Two doors down, a friend dealt only in ancient maps and atlases. Around the corner, another traded in old prints and letters written by historic figures.
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