As I Lay Dying

As I Lay Dying

DVD - 2013 | Widescreen ed
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Based on the 1930 classic by Faulkner, comes the story of the death of Addie Bundren and her family's mission to honor her desire to be buried in the nearby town of Jefferson.
Publisher: New York : Millennium Entertainment, 2013
Edition: Widescreen ed
ISBN: 9781616662288
Branch Call Number: DVD AS
Characteristics: 1 videodisc (109 minutes) : sound, color ; 4 3/4 in
Alternative Title: As I lay dying (Motion picture)


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Oct 19, 2017

I dont care for Faulkner or James Franco, but this movie worked for me and i enjoyed it. I will admit the first 30 minutes is tough and the split screen was a more than bold choice that didnt win over anybody, just read these reviews.

Jul 07, 2017

Terrible bastardization of a great work of Faulkner. Cinematography was so bad it was almost unwatchable. Endless split-screen dialogue, Poor acting, and over emphasis on the hillbilly accent. Not recommended at any level. Read the novel instead.

Oct 11, 2016

hillbilly accent hard to understand, couldn't get the gist of what was going on, slow moving, turned it off not that far into the movie. YAWN

Feb 14, 2015

This film is definitely not for everyone; I'd mostly recommend this to the English lit majors. I have not read Faulkner's novel but this production seems to ring true to other works of his I have read. It is well acted and intense. I understand James Franco's use of the split screen, but it always puts me off as a viewer.

aaa5756 Aug 06, 2014

Just plain awful this movie was a train wreck. To say this movie was bad. It’s an understatement it was torture to watch. In also in other words, it was a dumb movie.

Jul 16, 2014

I have never read Faulkner, but this film is a tour-de force. This American study of the human condition transcends Dickens, James Joyce, and several European classic writers. If your preferred genere of film is limited to car chases/crashes, uber violence, nudity....well, take a pass on this gem.

This is a thinking mans film. The split screen technique only enhances the story, and draws in the open minded viewer to the deeper story here. This is a bold and intriguing film that Hollywood simply doesn't have the balls to promote or nurture. Sad.

I salute an established actor like Franco who delivered a quasi-masterpiece to the viewing public. I would urge you all to at least give this film a viewing and give your input on this forum. Thank you!

voisjoe1 Jul 01, 2014

I have not had the opportunity to read any of William Faulkner’s literature. This film, based on a 1920’s southern (Mississippi) William Faulkner novel (As I Lay Dying) about a poor and uneducated (white) family, gave me an idea of the kinds of characters that populate Faulkner’s landscape. One of Faulkner’s themes seems to be that we are all two faced. We have an outer self when relating to others, but we have an inner self where we store and suffer from our dirty little secrets. Another theme is that destitute rural Mississippians seem to have a belief that God has things planned so there is not much use in trying to use knowledge and logic when making decisions about how to proceed on the path of life. This is not a pleasant story, but more Americans might come to the conclusion that improved education and opportunity might make this a better country.

Apr 27, 2014

With the screenplay and direction by James Franco who also plays Darl,this is a spectacular film. It’s been so many years since I read the Faulkner novel, that I’m not in any position to adequately comment on the translation to screen. But what Franco has realized is one of the finest recreations of what I recall as Faulkner’s milieu of poor, illiterate white Southerners as I’ve ever encountered in a film. The ensemble cast is superb, especially Tim Blake Nelson who plays the father Anse. But each of the other characters are equally good, even down to the young child who plays Vardamon. What I do recall of the novel was the long journey with the mother’s coffin, the hot weather resulting in an ever increasing stench, and with the entire experience pictured through the eyes of each character. While it would be impossible to recreate all the numerous voices that Faulkner articulated in the novel, Franco does a marvelous job of creating a sense of multiple characters and perspectives through a judicious use of the split screen technique where scenes are shown from two different vantage points along with occasional monologue voiceovers. From interviews included on the DVD, in generating the screenplay, Franco paid very close attention to the original novel, with both his cast and crew keeping the book at close hand throughout the filming to ensure that each of them never lost sight of the world and the characters that Faulkner had created.

lasertravis Feb 02, 2014

Overlong, boring period piece drama. Well acted by some of the cast, and the movie LOOKS authentic, but this movie drags and drones and limps its way to a "what?" sort of ending. I'm supposing this scores well with the art film crowd. Not me.

akirstan Jan 20, 2014

Very intense subject matter as it is a period piece, this family and group of people are ruled by much of what is said and what is suppressed within them and their relationships. So much of the pecking order of who they were in society, as well as their rank in the family, causes them to emote as if in strait-jackets tied up with invisible words and strings. Franco captures the essence of this turmoil bubbling. Dying and Death, especially when you experience it nearby, is an uncapturable finality...each character is alive with this intangible reckoning, because when a person dies so do the outlet for the emotion expressed by that person for the dying. Will memory be enough? Its tough to watch yourself or others go through this reality, this is what this movie presents about people from that period. This is not an easy film. Certain generations will not get it, or its subtleties. Great work.

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aaa5756 Aug 06, 2014

“Darkness cannot drive out darkness, only light can do that. Hate cannot drive out hate: only love can do that.” ― Martin Luther King, Jr

Dec 14, 2013

Anse (to his family, on their wagon, transporting his wife's coffin for burial): "...It's a hard country on a man... No way, in this simple world, can a honest, hard-workin' man profit... It takes them that run the stores, in the towns doin' no's well, doin' NO'S WELL... livin' off them that sweats... It ain't the hard-workin' man -- the farmer... Sometimes I wonder why I keep at it... It because there's a re-ward for us above. Well, they can't take it, they autos and such... Everyone will be equal, then. And it will be taken from them that have and given to them that have not by The Lord. But it seems like a long way..."

Dec 14, 2013

Darl Bundren (voiceover): "The dark current runs... talks up to us in a murmur... becoming ceaseless and myriad... Fading swirls move along the surface for an instant... silent and permanent; profoundly significant as though somethin' just beneath the surface... huge, and alive... is waked for a moment..."


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PimaLib_WilliamB May 06, 2015

From William Faulkner's novel comes this very serious and experimental film by James Franco. Details the death of the matriarch in a family and their efforts to move her body a great distance by wagon for burial. Told by the family in narratives, it was a difficult book and a difficult movie.

aaa5756 Aug 06, 2014

Just plain stupid can sum up this movie!


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