Cloud Atlas

Cloud Atlas

A Novel

eBook - 2004
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Publisher: New York : Delacorte Press, [2004]
ISBN: 9780307483041
0307483045

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Brittany_Lewis
Nov 06, 2018

This book is a great read and masterfully written. I am in awe of the authors multifaceted writing ability! 🙌🏾🙌🏾
I don’t know if I’ll ever come across anything so creatively written.

At first, I wasn’t sure I was going to like this book. But long after I’d read the last sentence, the story was on my mind – and now I already want to read it again. Mitchell weaves a complex story about life, love, and human progress spanning centuries. The story is told through a series of separate, distinct voices, each with their own story to tell. In the beginning, it’s difficult to see how these stories fit together, but slowly we begin to see a picture of the connections between each character and their actions across time and space. The narrative is filled with uncertainty, some of which is never resolved – so those who like neat endings, beware! Yet Mitchell is an incredibly talented writer who brings this ambitious and captivating story to life. (submitted by AA)

This is a series of five short stories that have been split in half so that you go forward in time with each successive story then backward in time through the endings of those same stories. The oldest and newest stories are the weakest in my opinion, but the whole thing grows on you and builds your interest to a satisfying conclusion. The story about a corporate controlled religious state contains the most biting social commentary and is a scarily accurate portrayal of where we are headed. Takes a while to build up steam, and the language is archaic and overly complex in the beginning, but it is worth your time. Note: the movie of the same name jumps around so much that reading the book first is almost mandatory for enjoying the movie.

r
ro_cohen
Aug 05, 2017

Spoilers Ahead ⚠️. Cloud Atlas by David Mitchell is impressive and quite unlike anything I have ever read.

It consists of six inter-related stories, the first five of which break off abruptly in the middle. The reader is left in suspense. After the fifth story, a sixth story is told, this time uninterrupted. That story, one of a post-apocalyptic world set in twenty-second century Hawaii, is the center piece of the book. Following it, the previously interrupted five stories are finished in reverse order. Thus, the structure of the book is: 1-2-3-4-5-6-5-4-3-2-1.

The main character in each story has some sort of connection to the main character in the next story. Thus, all six characters are linked in some way, perhaps through reincarnation. At the very least, they all share a birthmark of similar shape and in a similar location.
The characters are as follows.

•Adam Ewing, an American lawyer and diarist traveling in the South Seas in the 1850s.

•Robert Forbisher, a fallen Cambridge student attempting to repair his musical career, reputation and bank account in 1930s Belgium through the offices of a renowned English composer.

•Luisa Rey, an investigative journalist who uncovers the greed and malfeasance of the operators of a nuclear power plant in Southern California of the 1970s.

•Timothy Cavendish, a vanity publisher in present-day England who, while escaping a wronged and violent author/client, is “imprisoned” in an old age home.

•Sonmi 451, a female fabricant in Korea of the future who is made fully human by a resistance movement and then hunted by the establishment.

•Meronym, a “super woman” and survivor of the post-apocalyptic world.
Three of the main characters are men.

All but two, Forbisher and Cavendish (who posses some redeeming qualities and are otherwise charming), are noble and exemplary human beings. Sonmi 451, although a fabricant, may be the most beautifully human of all.
Meronym, of the sixth story, and my favorite, is a brilliant, resourceful survivor of the post-apocalyptic world. She possesses toughness, compassion, skill, calmness and courage, all of which border on the super human.

Except for Ewing, each character learns about the story of the character in the immediately preceding story by reading an account of that character’s story or watching a video of it. Accordingly, each story follows the prior story, chronologically. For example, Forbisher reads Adam Ewing’s diary entries. Sonmi 451 sees a Disney, “future speak” for movie, of Timothy Cavendish’s so-called “ghastly ordeal.”

Not only is each story set in a different time and place, it is written in a different style, an attribute reminiscent of James Joyce’s Ulysses. Other literary parallels include Herman Melville, Evelyn Waugh, Raymond Chandler, Ray Bradbury (Fahrenheit 451) and Toni Morrison. The future speak, e.g., Disney for movie, Starbuck for coffee, is clever, but probably not so to trademark lawyers.

There is so much going on in this book. I have not even scratched the surface.
A major and recurring theme is the dichotomy among men and within man — that human beings are innately predatory and that life consists of eating or being eaten (Nietzsche) and the ideal of kindness and the moderation of desire (Buddha, Jesus).
And so, the ending of the second story, which appears near the very end of the book, quotes Virgil.

The reference is to Aeneas, who, while gazing at a mural that depicts his fallen Trojan comrades, cries out — sunt lacrimae rerum et mentem mortalia tangunt.
(The world is a world of tears, and the burdens of mortality touch the heart.)

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harrissusanc
Jun 26, 2017

This makes a good summer epic novel because it begins and ends on the trade ship the Prophetess in the early 19th century, no matter the wind blows through six narrators and genres, past and future, with devious connection. The highly stylized English is a contagious tour de force. Mitchell "mem'ry(d)" the 2017 literary and geopolitical universe in 2004 in Cloud Atlas. For less puzzler, read The Bone Clocks.

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BREATHLESSMAHONEY
May 22, 2017

I got it but it seemed the the author was pretty sure you wouldn't so parts of it felt forced.

s
sgcf
Mar 26, 2017

I am quite awe-struck with these six novellas, interlinked and unfolding through time … and time again. Mitchell inspires my complete admiration for his ability to totally immerse each one in the language and style of the era and genre in which each is set. And in each story, regardless of how soul-searching or humorously hyperbolic, he has us reflect on the big questions of life. While it is reported that the characters from story to story are reincarnations from previous lifetimes, I found this was not as clearly communicated in the book as in the movie. Now I’d like to go back and read the book again.

j
jferrerosa2
Mar 08, 2017

This novel is not an easy read, and must've been difficult to write. Mitchell is using various genres going from one point to another with stories. The best one, by far, is the story of Sonmi. I think many would agree to this. The overall effect is disjointed, but not nearly as bad as the film. It has the potential to be great, but I think loses a lot of readers with its first story. I personally enjoyed it, but many non-literary people out there probably find this book annoying.

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LouWSytsma
Dec 07, 2016

Mitchell has an amazing ability to sculpture his writing to create the moods and tones of different time eras. To go from different time periods and not only write each differently from one another yet maintain a consistent vision through out them all is staggering.

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tjdickey
Aug 03, 2016

A "sextet for overlapping soloists," to use the author's words from later in the volume: an elegant counterpoint of six stories, six literary genres, six authorial voices, six narrative structures in chiastic form. A "matryoshka doll" of interlocking human histories. Well worth the reading.

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sbn_kc
Aug 04, 2013

A convoluted mess that wanders along several threads. Found the one interesting thread and finished it across several chapters, then gave up on the book.

Luv2cNewThings Jul 12, 2013

The reader follows a group of different people through reincarnations - starting with Adam Ewing. It seems that regardless if a character lived a full life or not, his or her story goes on.

The reader also goes on a passage of time. He/she will reach the pinnacle of humanity, which falls and starts all over again for a lack of better terminology!

On a side note: It was interesting how David Mitchell structured the novel. Unfortunately, it simply did not keep my interest.

AnneDromeda Jan 07, 2013

David Mitchell’s *Cloud Atlas,* released in 2004, fits the definition of a sleeper hit. Ridiculously well reviewed, its unconventional composition threw many early readers. It took time for word of mouth to spread from those tenacious readers who made it far enough into the book to make sense of Mitchell’s ambitious project. Eventually, even Hollywood caught on, so those of you who’re interested in the premise but frustrated by the execution can go take it all in on the silver screen right now. You could. But I really think you should read the book first, and not just because I’m a librarian.<br />

*Cloud Atlas* is composed of six separate stories fit together like matroishka dolls. It begins with the epistolary narrative of a man at sea in the South Pacific in the 1860s, witnessing the last gasps of the slave trade and the messy, colonial birth of global capitalism and industrialism. The flowery writing perfectly suits a 19th-century adventure tale full of pirates, sailing, exploring and riches. However, just as the action begins to really pick up, the narrative ends mid-sentence.<br />

Another – seemingly unrelated – narrative begins. It follows the couch-surfing adventures of a brilliant composer named Robert Frobisher through 1930s Europe. Full of witty, Wildean dialogue, this narrative is more than entertaining enough to carry the reader through to Frobisher’s discovery of a book sharing the title of *Cloud Atlas*’s interrupted opening narrative in the South Pacific. <br />

Having just gotten readers comfortable, Mitchell again shifts focus; this time, we land in a 1970s-era spy thriller that references Frobisher. Why? No explanation’s given, and the narrative breaks again. Now we follow the head of a vanity publishing house through a comedy of errors leaving him imprisoned in a nursing home in our current time. Then we jump to the testimony of a human clone genetically optimized for food service, testifying her experience living in a hyper-commercialized dystopian version of future-Korea to a corporate archivist. Then we land in post-apocalyptic Hawai’i, where an elder tells his life story in orature. This narrative is the deepest in the layered intertextuality of *Cloud Atlas* – after hearing Zachary Bailey’s life story we move in reverse order back through the other half of the nesting narratives begun earlier in the novel.<br/ >

Technically composed of six well-crafted novellas interlaced in unexpected ways, the weighty consequence of each narrative relies on all the others to be fully realized. *Cloud Atlas* could alternatively have been titled Frankfurt School’s Instrumental Reason: The Novel, but those with no background in Continental philosophy will still find much to love here, if they take the time. *Cloud Atlas* is highly recommended to fans of Margaret Atwood, Ursula K Le Guin or any literary science fiction. It is also recommended to any readers of literary fiction who don’t mind some serious experimentation, and who love beautifully crafted language.

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ArapahoeCaitlin
Oct 03, 2018

My life amounts to no more than one drop in a limitless ocean. Yet what is any ocean, but a multitude of drops?

Laura_X Jun 01, 2016

I lost my balance when the train pulled away, but a human crumple zone buffered my fall. We stayed like that, half fallen. Diagonal People.

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