This latest biography is written by a German born nearly 30 years after World War II. Trimborn examines the life of the famed director from the advantage of hindsight and with access to archives and records once held secret. His careful research refutes all of Riefenstahl's protestations that she was an apolitical artist who just happened to make films for the Hitler regime. It's a fascinating look at a woman who owed her fame and fortune to Adolf HItler while not marrying and producing children, wearing makeup and stylish clothes, and never joining the Nazi party.
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